Saturday, July 30, 2005


You can tell Amanda comes from a dance background from the way she treats moving visuals. She so enjoys operating the images manually, recording sequences of interaction and dissolving movement.

In this illuminated window she is using various images of flight, including a spiraling female figure that could be Mary, flying pigs, and medieval cherubs.

The colours dance and shine in the window in a fascinating, attractive, almost hypnotic manner, turning plain into stained glass, stillness into movement.

The church lighting in the other windows lit up the building and surrounding gardens, which drew people to the movement and colour of Amanda's centrepiece.


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